Lempert is an artist-investigator who gives us a new slant on daily reality by the artistic manipulation of the scientific methods of classification and analysis.

The images he presents us with have the immediacy and apparent lack of aesthetic interest of photographs of a work taken by a scientist. But, by placing them in series and repeating them they take on a visual entity which together with the titles – once again typical of scientific work – present us with a new reality which was unknown to us and which emerges from the elements which constantly surround us in our daily life.

A pioneer in the art of genetic manipulation, his work centres on the cross-breeding of plants and the treatment of the resulting flowers as works of art shown in galleries around the world.
He has cross-bred thousands of flowers, subverting the boundaries of the laws of evolution of the species as postulated by Darwin. For […]

Calum Stirling creates Landstylus #2 from a question: Is there a hidden music score in the landscape? Does the view of mountains have a certain melody?
This artist looks for the music hidden in the topography of the mountains.
To try to find the hidden universal language of nature is probably one of man’s oldest […]

The Home Climate Gardens are gardens devised to be created in different interior spaces: student flats, lofts, restaurants, government subsidised flats, offices… The artist makes a study of the light, climate, temperature, humidity and decides which kind of plants are suitable for each space in order to create an ideal interior garden.
The scientific […]

Hakansson defines himself as an amateur naturalist. His works speak of the relation between man and nature, always with the intervention of technology as the essential core of this dialogue.
Living after Midnight is a video in which he uses a fixed camera to project an image that focuses on a sodium steam lamp which […]

This work acts as the prologue which introduces the subject and the rest of the works. The historical reflection that is behind it means that we enter with an attitude that puts us on the alert about the relation that is established between power, man and nature.
A figure as historically powerful as Hitler […]

If Sánchez-Castillo’s work situates us in front of landscape historically and in relation to power, Perejaume’s work makes us reflect on the relation we establish with landscape based on admiration and reverence and how this relation causes us to adopt artificial attitudes towards it.
The artist causes a stone to be restored – using the […]

La teva sola presència està modificant aquest paisatge…

És innegable que les lleis físiques de l’espai que ens conté modifiquen la nostra forma i, segurament, també el
nostre contingut, fet del que no en som massa conscients.
La instal·lació consisteix en la creació d’un jardí de flors virtuals que creixen gràcies a la intervenció dels espectadors
que, amb la […]

Col.laboren: Xenia Riva, Janka Pasquier i Jérôme JacqminCol.lecció del Musée d’Art Moderne Centre Pompidou, París

Omnisports Hall és un edifici pensat ecològicament, en el seu sentit més ampli, on tots els processos vitals (inclòs l’ésser humà) estan integrats en un conjunt interrelacionat. Aquesta interrelació crea uns cicles de retroalimentació negativa que fan d’aquest edifici un exemple del que podria ser una arquitectura viva.